When Montblanc first launched its watch collection several years ago, I visited one of the few Montblanc boutiques (there were much less pervasive then) to check out the range. Only a handful of watches were available, all contained ETA movements and possessed the same uncreative “Meisterstuck” aesthetic. Most atrocious of all was the fact that no steel watches were available, instead the watches were only available in 18k yellow gold or gold-plate . Montblanc has come a long way since those halcyon days of gold-plated watches.
We’ll begin with changes to the Sport collection. The Sport Chronograph is now available in black DLC. Instead of the usual matte finish, the case is polished and then treated with DLC, giving it a glossy black finish. This contrasts with the grained, sandblasted finish on the bezel.
Next, the Star 4810 range now includes a chronograph. All are COSC certified and available in rose gold or steel. This watch is well designed but the guilloche pattern on the dial is too heavy for me.
The Meisterstuck GMT chronograph is now available with a new dial. This is a Valjoux 7750 based chronograph with a GMT hand.
We move on to even more chronographs. The Timewalker range now offers two chronographs in rose gold with ceramic bezels in either black or white ceramic with matching ceramic crowns.
Also presented were 18k rose gold Timewalker chronographs with diamond set bezels. Unlike many of the other entry level Montblanc watches, the Timewalker is free of the tacky “Meisterstuck” branding engraved on the side.
Ladies’ watches come next and several of them were unveiled. The first is a limited edition for Asia featuring a diamond set figure “8” on the dial. There are a few things wrong with the design of this watch: the 8 cuts through the 10 numeral, the date window looks lost and contrast with the dial colour; most of all, the watch looks unsophisticated, to put it gently. Montblanc went to the trouble of making two different dials for this watch, black or silver, take your pick.
Fortunately the other ladies’ watches presented were far more appealing, like the Star Pluie D’Etoiles and Star En Vagues. The former is automatic and limited to 10 pieces; it has a guilloche Montblanc star at six o’clock surrounded by a scattering of diamonds.
In contrast, the diamonds on the Star En Vagues are arranged carefully in elegant strings across the dial – notice the “Montblanc-cut” diamond at 12 o’clock –this is limited to 20 pieces and unfortunately quartz. Both are available with dark or white mother-of-pearl dials and are in white gold.
Two unique ladies’ watches were also shown. The first being the Star Eternal Lady Moonphase Diamonds Automatic, a 36 mm white gold watch with calendar and moon phase; dial is mother of pearl. This watch is a good example of the petit complications that are growing increasingly popular in ladies’ watches.
Next is a quartz piece in white gold set with lots of diamonds. This is a unique piece but I can’t what makes it different from Pluie D’Etoiles shown above aside from its satin strap.
Finally we arrive at the last ladies’ timepiece, the rectangular Profile Lady Elegance. All are quartz and the gold versions are set with diamonds and feature a Montblanc diamond at 12 o’clock; it is also available in steel. This are not particularly distinguished looking ladies watches.
Now we arrive at the interesting stuff. Launched last year as Montblanc’s (not Montblanc-Villeret-Minerva) inaugural in-house movement, the cal. R100 now boasts an openworked dial side as the new cal. R110. Like its predecessor, the R110 is a manual-wind monopusher chronograph calibre with a highly symmetric bridge design.
When I saw pictures of the Star Nicolas Rieussec last year I was not at all impressed, for some reason I found the design unsettling. This skeleton dial version of the watch certainly looks a lot better, especially in the metal. It will be available in platinum as a limited edition of 25 pieces, or in steel or rose gold.
Star Nicolas Rieussec in steel
But what is especially noteworthy are not its aesthetics, but the fact that several industry executives have mentioned this watch and calibre as a significant step for Montblanc because of the unique movement and price point.
Right at the top of the collection is the Montblanc Collection Villeret 1858. Several existing models of the range were presented with new dials, like the pair of seconds zero-reset manual winds below now available with a pale blue mother-of-pearl dial.
47 mm case
41 mm case
Two new watches, with corresponding new movements, were launched. The first is the Grand Tourbillon Heures Mystérieuses. I covered that watch in depth late last year, click here to see more on it.
Grand Tourbillon Heures Mystérieuses in rose gold
Therefore the only wholly new model is the Grand Chronographe Régulateur which will be made as a limited edition of eight pieces each in white and rose gold, and three piece unique in platinum. This is possibly the breakthrough product for the Montblanc Villeret line.
Existing watches in the range, no doubt beautifully finished, are not much more than that, beautifully finished watches. None of them offer any truly special complications or designs, except maybe for the tourbillion, but all of them are expensive. Not overpriced in relation to the level of finish, but expensive for a Montblanc watch – that prevalent perception is the chief obstacle to the success of this range.
Unfinished prototype cal. 16-30 of the Grand Chronographe Regulateur
The Grand Chronographe Régulateur is a move in the right direction. It is different enough from other high-end chronographs such that it can stand on its own; if presented correctly, it will be seen as a unique regulator chronograph rather than a Montblanc watch. Montblanc Villeret needs to continue down this path of creating watches that are out of the ordinary if it is to eradicate the ‘expensive Montblanc’ perception.
Two rose gold variants of the Grand Chronographe Regulateur
As its name implies, this watch is a regulator style monopusher chronograph with second time zone indicator, day-night display and power reserve. Displayed on a large arc, the power reserve display is actually two hands that effectively also functions as a quality of wind indicator. When the watch is sufficiently wound, the shorter red power reserve hand remains hidden under the larger one and moves in sync, thus only one hand is seen. But once the power reserve is depleted to a certain point, the larger hand reaches the end of its track and remains there, while the smaller red hand emerges and continues towards zero as a warning that the watch needs to be wound.
In white gold
Its dial styling is novel but retains traditional elements like guilloche and blue steel for some reassurance. Dial quality is excellent, they are solid gold with hand-applied guilloche; the unique pieces in platinum feature the addition of mother-of-pearl inlay. Best of all, the ridiculous “Pure Mecanique Horlogerie” text that afflicted the dials of the first series of Villeret watches has finally been banished.
Grand Chronographe Regulateur platinum piece unique with mother-of-pearl dial inlay
Montblanc deserves praise for this watch, I love it. But it is tragically large. The case is a whopping 47 mm in diameter. If Montblanc Villeret used its smaller chronograph calibre instead of the 38.4 mm movement in the 47 mm case, the resulting watch would be perfect.
This message has been edited by SJX on 2009-02-01 03:37:44 This message has been edited by SJX on 2009-02-02 22:48:45